this movie is regions 1 & 4 in Italian with Spanish subtitles (no English)"ganadora de 9 premios de la academia italiana, seleccion oficial festival de cannes , festival de toronto, ganadora de mejor pelicula, mejor actriz & mejor actor.

WHEN WIDOWER AND WAR HERO BENJAMIN MARTIN SEES HIS FAMILY VICIOUSLY ATTACKED BY RED COATS, HE CAN NO LONGER AVOID FIGHTING IN THE REVOLUTIONARY WAR. TOEGETHER WITH HIS SON HE FORMS A MILITIA TO TAKE UP ARMS AGAINST THE BRITISH AND SOON IS EMBROILED IN THE REDEMPTION OF REVENGE AND THE PASSION OF LOVE.

There were reasons writer-director Brian Helgeland's cut of Payback was dismissed by distributors Paramount and Warner Bros., then heavily re-shot and re-tooled by Mel Gibson's production company, Icon Entertainment. Those reasons are explained in detail by Gibson, Helgeland, and others in the special features of Payback: The Director's Cut (Special Collector's Edition). Among them: Helgeland's version was too dark. America wasn't ready in 1999 to see Gibson play an unapologetic, 1970s-style antihero who might not get exactly what he wants. Audiences didn't have the patience to wait for answers to their story questions. A dog dies. (A big no-no.) All of these comments make sound, practical sense. But here's the bottom line: Helgeland's cut, perhaps even a bit more disciplined and taut (according to Payback’s editor, Kevin Stitt) than it was in 1999, is a serious movie with an organic tone and logic that makes the film look the way it was meant to look: as a neo-noir film for adults. The theatrical release of Payback, by contrast, was and is silly and vulgar, self-sabotaging, pointlessly vicious, and perversely jaunty. It is very much like—deliberately like—the Lethal Weapon series. The Director’s Cut makes clear that’s not at all what Helgeland had in mind.

Kudos to Gibson and Icon for giving Helgeland a chance to restore his film and get it out on this DVD. But a look at both versions (this disc does not include the theatrical cut) back-to-back can certainly make one's head spin. Icon’s revisions in the original release show little faith in a contemporary audience’s ability to discern much about a story or mood or character from spare but telling details. That film relies on crass swatches of voiceover narration, cute inserts, added scenes, and hipster tunes on the soundtrack. All of that was designed to tell an audience how to feel rather than encourage a cinematic experience encountered with an open heart and mind. Worst of all is a specious third act nakedly built around an obligatory Gibson-gets-tortured sequence, leading the film to a lazy, comforting conclusion. The Director’s Cut eschews all of that. Gibson’s character, Porter (based on the central character in the novel "The Hunter," written by Donald E. Westlake under the pseudonym Richard Stark), is a man returning from the brink of death with nothing but his identity and the memory of something (an almost-nominal amount of money) taken from him. His iron determination, his capacity for brutality and inducing fear, and his survival instinct make him anything but warm and cuddly. It's his few ties to the past—especially an interrupted relationship with a call girl (Maria Bello)—that humanize him. One doesn't have to like Porter; one just accepts him and follows his journey in an honest, unmitigated fashion. That’s exactly what Helgeland does, and his cleaner, leaner, smarter cut is instantly rewarding for its uncompromising, undistracted toughness. Special features include a documentary about the film’s history, and a wonderful interview with Westlake. —Tom Keogh

Charming rogue pirate Captain Jack Sparrow (Johnny Depp) is back for a grand, swashbuckling, nonstop joyride filled with devilish pirate humor, monstrous sea creatures, and breathtaking black magic. Now Jack's got a blood debt to pay — he owes his soul to the legendary Davy Jones, ghostly Ruler of the Ocean Depths . . . but ever-crafty Jack isn't about to go down without a fight. Along the way, dashing Will Turner (Orlando Bloom) and the beautiful Elizabeth Swann (Keira Knightley) get caught up in the thrilling whirlpool of misadventures stirred up in Jack's quest to avoid eternal damnation by seizing the fabled Dead Man's Chest!

Welcome to a world where anything is possible! Academy Award winning director Hayao Miyazaki (2002, Best Animated Feature, Spirited Away) and legendary filmmaker John Lasseter together with Disney bring to life a heartwarming and imaginative telling of Hans Christian Andersen s classic fairy tale The Little Mermaid. A young boy named Sosuke rescues a goldfish named Ponyo, and they embark on a fantastic journey of friendship and discovery before Ponyo s father, a powerful sorcerer, forces her to return to her home in the sea. But Ponyo s desire to be human upsets the delicate balance of nature and triggers a gigantic storm. Only Ponyo s mother, a beautiful sea goddess, can restore nature s balance and make Ponyo s dreams come true. Ponyo will delight your family with its magnificent animation and timeless story.

Director Guy Ritchie (Snatch, Lock Stock & Two Smoking Barrels) brings you this no holds barred urban, crime-thriller featuring an all-star cast of gangster movie icons including Jason Statham (London, Collateral), Ray Liotta (Goodfellas, John Q), Vincent Pastore (Made, TV's The Sopranos) and Outkast's André Benjamin (Idlewild, Four Brothers). Jake Green is a hotshot gambler, long on audacity and short on common sense. He's rarely allowed to play in any casino because he is a winner and has taken in so much money over the years. He is the only client of his accountant and older brother Billy. One night, Jake, Billy and their other brother Joe are invited to sit in on a private game, where Jake is expected to lose to Dorothy Macha, a crime boss and local casino owner who can't play for squat, but always wins because people are too scared to beat him. Jake isn't afraid of Macha, and not only beats Dorothy in a quick game of chance, but takes every possible opportunity to insult the man. Jake and his brothers leave the game, and Macha puts out the order for a hit on Jake, who ends up working for and being protected by a pair of brothers, Avi and Zack, who are out to take Macha down.

Cary Elwes stars as Robin Hood, the dashing defender of the down-trodden, who along with his merry men and Maid Marion, resides in Sherwood Forest. There they have become together to fight against the seriously neurotic Prince John, the not quite-evil Sheriff of Rottingham, and the mad scorceress Latrine.

“I own this town.” But owning is getting expensive for old-school London gangster Lenny Cole (Tom Wilkinson). A wealthier foreign mob is moving in with a riverfront property swindle. A small-timer (Gerard Butler) and his crew think they can play both sides and become big time. Now add a hard-as-ice accountant (Thandie Newton), a rocker playing dead to boost sales, wannabe music moguls (Jeremy Piven and Chris Bridges), a missing painting and a mad mosh of money and muscle, and youve got this funny, smash-mouth smackdown of sexthugs&rocknroll from writer/director Guy Ritchie (Lock, Stock and Two Smoking Barrels and Snatch).

MORT RAINEY, A WRITER JUST COMING OFF A TROUBLESOME DIVORCE WITH HIS EX-WIFE, AMY, FINDS HIMSELF STALKED AT HIS REMOTE LAKE HOUSE BY A PSYCHOTIC STRANGER WHO CLAIMS MORT STOLE HIS BEST STORY IDEA (CHANGING JUST THE ENDING). BASED ON A STEVEN KING NOVEL: SECRET WINDOW, SECRET GARDEN.

Academy Award®-winning directors Joel and Ethan Coen return to their comedy roots with this original and darkly humorous story about one ordinary man’s quest to become a serious man. Physics professor Larry Gopnik (Michael Stuhlbarg) can’t believe his life: His wife is leaving him for his best friend, his unemployed brother won’t move off the couch, someone is threatening his career, his kids are a mystery and his neighbor is tormenting him by sunbathing nude. Struggling to make sense of it all, Larry consults three different rabbis and their answers lead him on a twisted journey of faith, family, delinquent behavior and mortality in the film critics rave is “seriously awesome!” (Michael Hogan, Vanity Fair)

Man must protect baby from forces that want to kill it.

SIN CITY IS INFESTED WITH CRIMINALS, CROOKED COPS & SEXY DAMES: SOME SEARCHING FOR VENGEANCE, SOME FOR REDEMPTION AND OTHERS, BOTH.

Master storyteller Tim Burton (Batman, Edward Scissorhands) weaves an eerie, enchanting version of the classic tale of horror. Johnny Depp (Pirates of the Caribbean 1 & 2) is Ichabod Crane, an eccentric investigator determined to stop the Headless Horseman. Christina Ricci (Monster) is Katrina Van Tassel, the beautiful and mysterious girl with secret ties to the supernatural terror.

Boxing and jewels prove dangerous for the big boss.